My Lydian HellI was watching a video of Joe on YouTube where he talks about the uses of different modes and it really helped make the concept clearer for than it ever was before. I had been taught about modes a long time ago but I never felt like I understood what they could be used for, but Joe had a great way of explaining it and it finally started to make so sense to me.
After watching that and messing around with it a bit I decided to try recording a piece that would use the Lydian mode and have some changes in it. I think it kind of has a bit of a Joe sound to it, though no where near his level.
The piece starts off with a repeated C bass note. I'm playing a melody line in G major over the C note and then I do a solo in G major over the C note. Or you could say I'm playing in C Lydian. Before I began really thinking about modes, I typically would have tried improvising in C minor or C minor pentatonic and/or C blues, because that's what I was used to. But here we're going for something different. I also would have run into some trouble later...
G Major = G, A, B, C, D, E, F#, G
C Lydian = C, D, E, F#, G, A, B, C
Then the bass note switches to E and I begin soloing in B major, or E Lydian.
B Major = B, C#, D#, E, F#, G#, A#, B
E Lydian = E, F#, G#, A#, B, C#, D#, E
Then the bass switches back to C and I switch back to C Lydian (or G Major)
Then the bass switches to G and I switch to a G minor pentatonic or G blues scale and solo in that for a bit...
G, Bb, C, C#, D, F, G
...until it switches back to C Lydian again for the melody line and it repeats the pattern again.
(here's what I had to say at the time, about recording this piece:
http://www.bigcontact.com/v2/godwankotd/168692